zaterdag 1 februari 2014

And the winner is...

Rejoice! Our game was nominated for the projects Best Game Award among 4 games made by other university students. Therefore, on January 31st a jury consisting of a member of Abbey games (of Reus fame), a member of Digital Dreams, known for the upcoming game Metrico, and a former teacher at the university of Utrecht took a good look at all nominated games. A bit later in the afternoon every team had to do a short 5 min presentation about their game. After a long debate the jury voted unanimously for.....
ABYSSUS!!!!! Woohoo!

The beautiful certifacte we won

maandag 27 januari 2014

The end is nigh

At last, our little journey has come to an end. The technical side of it, anyway. This morning we committed our last-minute bugfixes, most notably Alex who fixed a little bug at 14:00 exact (not knowing this was the deadline).

The game can be downloaded on this page. Just download the zip and run the installer, and let us know what you think!

Wednesday we will have to present our game to the jury and our fellow students, and we might just have a chance to get nominated for an award. The accompanying award ceremony is on friday, during the symposium

For now though, Abyssus rests among its new friends.

It looks like it belongs there

zondag 26 januari 2014


With great pride we present to you the trailer for our game.


vrijdag 24 januari 2014

Panic. PANIC!

Time for another blogpost! When looking at the schedule detailing when you should make a post, it becomes apparent that whoever made the schedule, probably picked the dates very carefully to match certain phases in the project.

The 6 December blogpost(s) were meant for us to prudently show our baby steps in the world of game design. 20 December was a good time to chat a little bit about our (probably technical) progress. Next up, 10 January (split up into 123) was just after the holidays, when we had begun to realize the scale of the project we had taken upon us.

And now comes 24 January. Conveniently positioned just before the weekend that's just before our deadline. We are probably expected to write about how much we still have to do in so little time, or show our intelligence by reflecting on our progress. Or maybe write a panic-post about how we'll never get it done.

But here at Graile Games we're different. We carefully constructed an illusion of (almost apathetic) professionalism, and we mean to uphold it, until the bitter end. Because of that, this blogpost will be about boring technical details. You can't make us write a panic-post!

To the point!

So what are we going to talk about? Ah, how about the collision checking? Sounds good? Let's do it.

When we began developing Abyssus (or Roguelike, as we called it back then) we had to start from the scratch, and obviously, we'd need a collision system. We could have opted to just blatantly copy Tick Tick's, but this would most likely create more problems than it would solve, since it was made for a platform game, and its pixel-perfect collision checking was what a gamer might call 'overkill'.

The basics

Instead, we decided to make a simple yet effective collision engine using very simple shapes: squares, lines and circles. After all, that's all we needed. We could represent walls and other decoration in the game using squares, players and other entities using circles, and weapons as lines.

Using a set of light-weight methods we were able to implement all the bumps and impacts that were necessary.

Live footage

The aspect 'light-weight' was important, because our game needed to do a lot of collision checks. While this may not seem necessary in a simple topdown game, in the end it was probably for the best we didn't go for pixel-precise collisions. Otherwise we wouldn't have been able to implement the destructible enviroment the game has now, or projectiles hitting each other in mid-air.


So collision checking is one thing, but handling it is another. You can't just do something like:
if(collisionAtCurrentPosition()) { position = previousPosition; }
 .. as that would result in the player getting stuck in walls, which is especially a problem in a game with lots of tunnels, like ours. Because of that, we do it a bit differently. The problem with the above system is that it fails to compartmentalize the velocity into components orthagonal with the object we are colliding with, and parallel to it. Let me explain it using this image:

Evidence no. 1 as to why I am not this teams graphical artist

We are in luck because as it turns out, all squares in our game are axis aligned, which makes collision checking a lot easier! Essentially, first we check whether moving to (position + velocity) will result in a collision. If not, all good! If it does result in a collision though, we can do a seperate checks for the component of the vector that is parallel to the square.

Since the square is axis aligned we don't have to worry about splitting the velocity, we can just check the X and Y components! One of them has to be parallel! So if adding just the X component, or just the Y component will not result in a collision, we'll do that. The result is that the player slides smoothly along the walls.


Obviously there are other checks that don't require us to handle collisions like above. For example, when doing checks for the combat, all we have to do on impact is do damage, apply a little knockback, a few gore particles, and that's it.

More live footage

Combat collision checking brought it's own problems though. We can't just check if the distance between the player and an enemy is under a certain arbitrary limit when the player presses the left button, and then apply the damage. After all, the game has to make sense, we need to uphold suspension of disbelief.

Because of that, the weapons of the player and enemies get their own collision checks and protocols. This is where the line-circle intersection script you saw above comes in handy: we'll just run it for the circle that represents the player/enemy, and the line that represents the weapon! But here comes the trick: Every weapon is different.

We can't use the same line for the halberd as we use for the dagger, or the same line we use for the mace as for the sword. The 'stick' part of a weapon shouldn't do any damage, only the pointy ends. For that, we used simple dictionaries that 'described' what parts of the weapon actually did the damage (i.e. had to be checked for collisions), and what parts could just be ignored.

Trust me, it makes sense

Maybe you're now sitting there "well that's inefficient" or "it makes no sense to do it that way", but hey, we're just a bunch of rookies, after all.

vrijdag 17 januari 2014

Join us in the Abyss!

We are proud to announce that we now have a final name for the game we're creating. We left "Roguelike" behind, from now on it's called Abyssus and it is set to be released on January the 29th.

donderdag 9 januari 2014

Stop. Graphics Time!

Hello world!

A few weeks ago in the Midterm Update, we mentioned that we had to continue this game-project with only 4 members left. Unfortunately, the guy who left Graile Games was responsible for creating all the graphics. In the same blogpost, we also said it would not be too hard to think of another option regarding the graphics. However, this turned out to be more difficult than expected. I came up with the idea to ask my brother for creating graphics, since he has always liked drawing. With crossed fingers I asked him, and it was a huge relief when he said he wanted to do it. From now on, my brother will be creating sprites on his iPad, and I would be responsible for editing (scaling, disassembling image parts, etc.) the multilayered images he sends me and getting them into the game. Graile Games’ Art Department has been founded, only consisting of two twin brothers. This had some serious consequences...

Positive ones to be precise! Over the past few weeks, because new sprites incessantly kept coming and coming, we were able to add a lot of content. Enough said, there is A LOT to show, so here it is (saved the best for last):

First, dungeon decoration. Until now, the dungeons felt very empty, static and repetitious. We needed dungeon decoration, and lots of them, here some stuff you will see while discovering dungeons:

We also created the first few "templates rooms", which is an extra option featured in Emile's Generation system. This let us design our own rooms in a textfile which will randomly appear in some dungeons. An example of a template spawning-room:

We have also added some interactive objects in the dungeons, like turrets that spit fire:

Puzzles also had a makeover: (also, more types of puzzles have been created, but I will leave those to discover them on your own)

The dragon, partially seen in the previous post, now fully visible. It already has some nice special unique attacks but it's not completely finished yet...

And yeah, more enemies! Goblins and zombies have joined the game!

And like promised, best for last. The new HUD. We've added a compass feature to our game now, which points to the direction of where the exit of the dungeon is. Styled in the same way as the inventory and the hotbar, it looks very awesome! Exp- and lifebar are not finished yet :P

Well, I think that was enough to show you in this blogpost, stay tuned for more!

I would also like to take this opportunity to credit my brother Raymond, who made all this nice stuff. Thank you very much!

maandag 6 januari 2014

Music Monday 6: The Sound Design

Hey all! For today no music, but some details about the way we are doing audio. We are using a program called XACT, which is included with the Game Engine we are using, XNA. It provides many options for dynamic audio to further immerse yourself in the experience. All sound effects are positioned, so you hear them in surround precisely on the position they are. It also has a function that makes sound fit in the room by adding more "echo", which is better known as "Reverb". In larger rooms, the sounds echo longer, to further increase realism and immersion. Lastly it provides functionality to randomize the pitch and the volume of the sounds, so it does not sound identical all the time.

This game is also my (Emile van Krieken) first go at Sound Design. Some of the sounds I have recorded myself and others I have taken from the wild interweb and edited them to fit the game better. It has been a lot of fun, and has motivated to get a field recorder so I can record every sound for future games myself!

The music will play in a semi-random way. When there is no song playing, it will sometimes choose a random track from the atmosphere collection. Certain places in the world, however, trigger a song that is more energetic and suited for combat, so the music fits what happens on the screen. We use a nice fade-out to make everything sound smooth!

Well that is it, simple but it works. Stay tuned for more cool stuff!